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| Vocal
Music (Sacred): |
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- Lacrimosa,
op 10 (1865)
- Requiem
in b, op 22 (1883)
- Adventlied,
op 30 (1871-5)
- Salvum
fac regem, op 55 (1889)
- Psalm
93, op 56 (1889)
- Four
Sacred Songs for Mixed Chorus, op 57 (1891)
- Psalm
23, op 59 (1889)
- Grand
Mass in f#, op 60 (1890)
- Christus.
Mysterium in a Prelude and Three Oratorios, opp 70-3 (1895-9):
Vorspiel: Die Geburt des Herrn, (Prelude: The Birth of the
Lord) op 70
First Oratorio: Christi Weihe (Christ's Consecration), op
71
Second Oratorio: Christus der Prophet (Christ the Prophet),
op 72
Third Oratorio: Tod und Sieg des Herrn (Death and Victory of
the Lord), op 73
- Grand
Mass in a, op 85 (1908-9)
- Requiem
in e (1909-10)
- Psalm
57 for baritone, chorus, and orchestra, WoO 31 (1907)
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| Vocal
Music (Secular, Orchestral): |
| |
- Germania
an ihre Kinder, after Kleist, soprano, male chorus, and orchestra, WoO
3a (1859)
- Die
Hermannsschlacht, Music for Kleist's Play, WoO 4 (1860)
- Der
Schwur im Rutli (The Oath in Rutli), Cantata for soprano,
and male chorus, WoO 9 (1862-3 version for wind orchestra;
1868 version for full orchestra)
- Osterszene
nach Goethes Faust (Easter Scene after Goethe's Faust), op
39 (1887)
- Columbus,
Cantata for soprano, baritone, male chorus, and orchestra,
op 52 (1890)
- Sachsen-Hymne,
for male chorus and orchestra, WoO 23 (1893)
- Der
Deutsche Sang (The German Song), for male chorus, op 64 (1897)
- Faust
in Schlaf Gesungen, for chorus and orchestra, WoO 32 (1907)
- Parzengesand,
after Goethe's Iphigenie, for alto and orchestra, WoO 33
(1907)
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| Vocal
Music (Secular, Piano Accompaniment): |
|
- Helges
Treue, op 1 (1859)
- Frage
und Antwort (Question and Answer) after Moerike for baritone
(or mezzo-soprano), WoO 5 (1861)
- Lieder,
op 2: I Märzblumen (6 songs);
II Cypressen (6 songs); III Heliotropen (see op 76)
- Weihestunden.
Six songs for baritone (or mezzo-soprano), op 16 (1880)
- Buch
des Frohmuts. Six songs for baritone (or mezzo-soprano),
op 17 (1880)
- Bergidylle.
Ballade for baritone (or mezzo-soprano), op 18 (1880)
- Ritter
Olaf. Ballade for baritone (or mezzo-soprano), op 19 (1881)
- An
den Mond, for baritone (or mezzo-soprano) and piano, WoO
16 (1881)
- Landschaftsbilder.
Six songs for baritone (or mezzo-soprano), op 20 (1881)
- Trauer
und Trost. Six songs for baritone (or mezzo-soprano), op
24 (1880)
- Vermischte
Lieder. Six songs for baritone (or mezzo-soprano), op 26
(1881)
- Liebeswonne
und -weh. Six songs for baritone (or mezzo-soprano), op 29
(1880)
- Gedenkblätter Two
songs for baritone (or mezzo-soprano), op 33 (1880)
- Two
Ballades for baritone (or mezzo-soprano), op 34 (1880)
- Das
Schloss am Meer, op 53 (1897)
- Der
Tod kennt den Weg. Ballade for bass, op 58 (1897)
- Five
Songs, op 61 (1896)
- Four
Songs, op 62 (1896)
- Five
Songs, op 67 (1899)
- Three
Songs, op 68 (1899)
- Drei
Geistliche Gesänge, op 75 (1901)
- Drei
Gesänge, op 76 (1906)
- Frühlingsgruss,
op 78 (1906)
- Die
Traurige Krönung, op 80 (1906)
- Four
Songs, op 81 (1906)
- Four
Songs, after Grete Ihle, WoO 39 (1912)
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| Vocal
Music (Secular, a-cappella): |
| |
- Three
Songs for Male Chorus, op 28 (1880-5)
- Die
Heinzelmännchen, op 41 (1887)
- Dem
Deutschen Volke ist Gegeben, for male chorus, op 46 (1888)
- Meleagerchor
for 6 soloists and mixed chorus, WoO 18 (1888)
- Four
Songs for Women's Chorus, op 47 (1889)
- Gesang
zur Fahnenweihe, WoO 20 (1890)
- Getrennte
wege, for four-part women's chorus, WoO 28 (1903)
- Fugen,
for four voices, WoO 37 (1910-1)
- Dämmerung,
after Weitbrecht, for male chorus, WoO 41 (?)
- Auflösung
on Brahms' Canon "Töne lindernder Klang",
WoO 42 (?)
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| Melodrama: |
| |
- Der
Mönch von Bonifazio, op 74
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